Wednesday, 8 April 2020

State of Emergency Post 2

It’s been a rough day. Carmelle is in isolation. No, relax. It’s not what you think. She’s just overreacting.
Don’t get me wrong, I STRONGLY believe that many people should be in isolation, and am especially annoyed by people who are still out and about after they have been travelling or showing symptoms of the virus. Carmelle is not one of those people.
In fact let’s be very clear here. She does not belong to any category of people. She is a cat. She is only a cat. I repeated this phrase a hundred times today.
If you are joining this story midway through, you can read the post from yesterday, but to get you up to speed quickly, I’m a writer who is working from home, stuck inside with my two cats. Well at least I was stuck inside until one of them banished me to the shed.
On my way to the shed, I mistakenly checked Facebook and noticed that Carmelle’s photo had gone viral. I said, “Look at that Carmelle, you’ve gone viral.” It was all downhill from there.
“VIRAAAAAAAAAAAAAAAAAAAL?” She screeched “VIIIIIIIII-RAAAAAAAAAAAL?” I said, “Relax. Viral. Not Virus. I posted your picture on Facebook and now you’ve gone viral.”
She looked at me with sour –faced contempt. She was silent for a moment and then started up again. “VIRAL …VIRAAAAAAAAAAAL…VIIIIIIIIIRALLLLL”.
I said, “You’re not sick, you’re in heat. Just be quiet you’ll be fine. “
Immediately she started to cough and glared at me as though it was all my fault. “Carmelle you are not sick. You are in heat and have a hairball. Relax.”
The picture you see here was taken moments before the hairball was ejected. The next one showed the fuzzy projectile as it hit the floor. Due to Facebook community standards, that one can’t be posted.
I mistakenly zoomed in. It was disgusting. We have no idea the germs our bodies fight off on a daily basis. Let’s be thankful for what is working.
Even after the hairball was cleared, Carmelle would not shut up. “VIRALLLLL…VIIIIRALLLL.VIIIIIIIRAAAAL” And the looks continued.
It has been my observation that when dealing with people who are either paranoid about the virus or who are not taking it seriously enough, ACURATE, SCIENTIFICALLY BASED, WELL-REASEARCHED facts can be our friends.
I spent the next hour and a half on the websites of the World Health Organization, Health Canada and other reputable sources. I even looked up articles on Google Scholar.
With facts in hand I told Carmelle that through all of these sources, I could not find a single instance where a patient’s symptoms included coughing up a hairball.
At the pace the virus is spreading, though it may only be a matter of time before someone suffering from trichophagia, gets it and will be the black swan that brings down my argument.
Despite the facts, Carmelle thought it was best to spend the day in isolation. I spent the day in shed grateful that her cries could not be heard from there.
It’s been an exhausting day.
If we who are home with our cats are exhausted, imagine what the healthcare workers are feeling. This is only the beginning. For their sake, and for the sake of the elderly and the ill, we need to flatten the curve. Stay inside if you've been travelling or are showing symptoms.
To all of you who made it this far, thanks for reading.
If you’re viewing this in a group and can’t share it from there, you’ll find a shareable version on my profile page. God willing you’ll hear from me tomorrow with another update. Keep safe!

State of Emergency Post 1

OK so had a little misunderstanding with my cat Carmelle today. I told her earlier in the week I'd be working from home for the next while. At first she seemed pleased but today her disdain was noticeable.
I tried to ignore it at first like one of those awkward office situations where some colleague gets their nose out of joint for some unknown reason but hasn't the manners or the courage to talk to you about it. Finally the issue came to head and we talked it through.
It seems when I told Carmelle
I'd be working from home she assumed that meant I'd be working FOR HER. I explained I am working for someone else and that this job is what puts food on my table and in her dish. She didn't like that response as you can see from the photo.
She pulled out the roommate agreement which is WAY, WAY more comprehensive than Sheldon's from the Big Bang Theory. Turns out my working from home violates several clauses of the agreement. After some negotiation she begrudgingly agreed to a compromise. Tomorrow I'm working from the shed.
Power on people! We need to stick together. I mean this metaphorically of course because of the whole social distancing thing. But seriously we need to help each other out. If cats take over the world our days are numbered.

Saturday, 5 December 2015

Madonna Bomb Baby


Mother Russia rise! Mother Russia falls!
Mother Russia cries; Mother Russia calls
I got the fight in me. You got the fire in you
I could fight this fire the whole night through
You got your vigil light but I am filled with doubt
I could blow you up or you could blow it out
You blow it out baby; you’re driving me crazy
(You blow, you blow it out baby. You blow, you blow it out baby)

First I rise and then I fall
Cause our baby cries; and our baby calls.
And you run away again baby
Our baby (is) driving me crazy
You blow my mind, I blow your brains
Either way, they say we’re both insane
I'm filled with doubt you're filled with flame
(You blow, you blow it out baby. You blow, you blow it out baby)

I crossed a burning bridge just to be with you
When I made it crossed you said we’re through.
Mother Russia where is my Lady?
Mother Russia why’s the world crazy?
I’m alone, alone again baby
Got to find another “lady”
Give me one that won’t drive me crazy
(You blow, you blow me baby. You blow, you blow me baby)

They build me up then they take me down
First they give me blow then they bring me down
Couldn’t walk the line for my baby
Now I’m snorting lines with some “lady”
There was one line I feared to cross
Now that I did my soul is lost
You said go to hell and you lick those flames
Well I am here with all my shame

I cry again baby; nothing can save me
Back against the wall face the firing squad
There She is right next to God
She said Fire! And those bullets flew
Every one was sent by you.
Vigil lights; tiny prayers; strings of beads; lying everywhere
53 bullets in my soul
Everyone is plugging holes
I fall face down and you run to me
That mouth to mouth you’re giving me
(You blow, you blow, you blow baby. You blow, you blow, you blow baby)
You brought me back again baby
You drank me in again baby

Mother Russia rise hear your baby call
Mother Russia come, Mother Russia please
Three tiny kids down on their knees
They did for you what she did for me
Little Lucy‘s not crazy she a Madonna bomb baby
And just when I thought you were gone
You got me quartered you got me drawn
You got me crying that I am saved
You’ve got my fears you’ve got my pains
You got my balls you got my chains
You blow you blow again baby

Men take it all and give women none
Oh a bit of silk just for their fun
They got your shame they got your guilt
They got you strapped, you have to stay
Couldn’t give a baby’s milk away

You got nothing again lady
Just a baby bottle and a bit of cloth
Just a vigil light; you got your wooden cross
But you don’t give up baby
That’s why you’re so crazy
And just like you, you don’t miss a beat
(You) take that crying child
Latch him to your breast
Never seen such a sweet caress
And as your child falls fast a sleep
Fully fed and tucked up neat
Five inch nails in his tiny feet
You set the world on fire again baby

You women just drive me crazy
First my mother and then my wife
Then my “ladies” it’s my whole life
Any girl can make a man crazy; can’t ever be lazy
Like a Russian doll, like a Russian Queen
Like a rushing wind, like a rushing stream
I never get you all baby
I strip you down layer by layer
Oh you Matryoshka doll baby
When I get inside it’s just the same
You beat me up at my own game
I never can own you but baby I need you
Oh baby we’re not through; but what can the world do?

ISIS rising. ISIS rage. Can’t get them into a cage
World war history page by page
They set the stage for a world war
We've been through this twice before
The world is going, the world is gone
I’ve finally written my final song
It’s over now baby
Nothing can save me

Then she said to me with her silky voice,
Can I still make you crazy?
Or are you too lazy?
Here’s your cocktail baby
I feel the fire welling up inside
She winks at me with her Russian eyes
Like a smoking Phoenix she’s on the rise
My world keeps moving on
I got my Madonna bomb

So you can call the world war off
It’s not a baby bottle it’s a Molatov
She took the vigil light, lit the silken cloth
She tossed the Molotov to the wooden cross
She tossed her head and she changed the game
She’s got the fuel she’s got the flame
She set us up, my Madonna bomb baby

She’s got the thrust she’s got the aim
You can call me crazy but I’m not to blame
No she's not crazy
She is a lady
ISIS you're not so strong
So why don't you just move along
You never do a lady wrong
Especially one with a Madonna bomb


You blow, you blow it up baby!
You blow, you blow it up baby!


Katrina

Monday, 5 October 2015

Vancouver Opera Gets it Right With a Classic Performance for the Modern Patron

Soprano Simone Osborne "Gilda" in Rigoletto
Photo Courtesy of Vancouver Opera


At the beginning of the evening, when audience members were asked how many of them were attending the Opera for the first time, many, many people clapped in response to the question. Whoever is responsible for community outreach and new audience development at Vancouver Opera is doing their job well. The Queen Elizabeth Theatre was very nearly sold out, and newcomers to the opera were treated to a spectacular performance of Giuseppe Verdi's Rigoletto. Director Nancy Hermiston says “It is 'Grand Opera' at its best!'”

Rigoletto had its premiere in 1851, and remains a timeless classic about love and revenge. Dan Paterson,Vancouver Opera's technical director, notes that many modern versions of Rigoletto have been performed in the past fifty years or so, but says that Vancouver Opera chose to present a more traditional version set in 16th Mantua. The sets and props were supplied by Utah Opera and were originally designed by John Michel Deegan and Sarah J. Conly. Built in 1987, and refurbished in 2001, the sets were outstanding, and perfect for this production. Lighting designer John Webber's contribution ensured that audience members always focused their attention on the right portion of the massive set.

Often in the spotlight during the performance was Gilda, the daughter of Rigoletto. The role was played perfectly by soprano Simone Osborne, who convincingly displayed the the wide range of emotions her character experiences during the course of Verdi's famous work.

According to the “Instant Expert” section of the program, “Rigoletto was the 9th most performed opera in the world from 2007-2008 to 2011-2012.” It also notes that “Verdi wrote the bulk of the score in 40 days.” How many people can claim that 40 days of work result in such an enduring masterpiece? The facts and trivia found in the “Instant Expert” section give newcomers to the opera something to talk about during the intermission. It is just one of the many ways Vancouver Opera seeks to make the experience of attending a performance comfortable for those just learning to appreciate the art form. Another way is the "pre performance talk" which is always informative, well researched, and entertaining.

Subtitles are also projected on a screen at the top of centre stage. While this feature allows one to follow along, in English it is the one feature I have yet to appreciate fully. I find it a literal pain in the neck and each performance become distracted trying to think of better ways to project the subtitles, or a better location for the screen. There is no doubt a better way read the subtitles than I am doing, and perhaps it is a skill that some audience members have perfected. If so, including in the program “tips on how to make the most of subtitles” might be appreciated by several people. By the end of the performance I concluded it is likely the best way to project the subtitles; I also envied those who didn't have to rely on them.

In reading the subtitles, it struck me how few words are actually involved in this opera and how much meaning is packed into each one. Every word sung by baritone Gordon Hawkins was filled with emotion. Regular attendees of Vancouver Opera may have recognized him from his last role with VO as Scarpia in the 2013 production of Tosca.

One minor intrusion into the emotional performance of Hawkins was the audible noise of what sounded like velcro when he opened the sack containing the body of the dying Gilda. During Osborne's time in the body bag, she convincingly played the part of a corpse. I looked to see her breathe, and no movement could be detected. The touching moment of Rigoletto opening the sack to lift up her body was broken momentarily by the apparent sound of velcro. It serves to demonstrate how easily the audience's attention can be broken, and might also serve to demonstrate how our attention was otherwise held steady throughout the 2 hour and 40 minute performance.


As usual, the customer service at Queen Elizabeth was excellent; the theatre spotless and well maintained. It was nice to enjoy a Red Truck beer prior to the performance. It was good to see the theatre offering beer from this local microbrewery, which is gaining a good reputation for their support of the arts. It was also nice to see audience members encouraged to share their photos of the evening on Instagram. Vancouver Opera's performance of Rigoletto is an excellent example of how to engage the modern opera patron. It seems to me all of the traditional stuffiness associated with opera has been replaced with audience engagement, good service, and a modern approach to understanding what today's arts patron wants. I hope all arts companies across the country take note of what VO is doing well. If you want to engage the modern audience, you can still present them with the work of the masters using a traditional set. What we want is to be entertained, well served and well informed for the time and money exchanged in order to see a performance. Vancouver Opera gets it right again. Nice work; can't wait to experience more opera this season!

For updates on all the performances planned for this season, be sure to follow Vancouver Opera on your favourite social media platform.

INSTAGRAM:  WWW.INSTAGRAM.COM/VANCOUVEROPERA  |   TWITTER:  @VANCOUVEROPERA  |  FACEBOOK:  WWW.FACEBOOK.COM/VANCOUVEROPERA

For more arts reviews follow @KatrinaBoguski C.E.O. of @artistdeals_ca